Last Tango in Paris 1972

Cinematic Style

Last Tango in Paris (1972) is known for its bold, raw, and almost voyeuristic cinematography, capturing the intimacy and complexity of human emotions. Director Bernardo Bertolucci utilized handheld camera techniques, giving a gritty, documentary-like realism to the film. This approach allowed the camera to almost 'participate' in the raw and unpolished portrayal of relationships, especially in the iconic apartment scenes. The lighting was often dim and naturalistic, emphasizing the cold, isolated atmosphere of Paris and the emotional detachment of the characters. Visually, the film used muted tones that contrasted with the emotionally charged performances, amplifying the sense of alienation and despair. The intimate framing of the characters reinforced the claustrophobic nature of the relationship between Paul and Jeanne.

Themes and Narrative

The film’s central theme revolves around existential despair, emotional emptiness, and the complex nature of human sexuality. Paul (Marlon Brando), an American widower, forms a purely physical relationship with Jeanne (Maria Schneider), a young Parisian woman, without exchanging any personal details. This anonymity becomes a canvas for them to project their raw desires and traumas, detached from the outside world. The narrative challenges the concept of intimacy, love, and power dynamics within relationships, with Paul struggling to come to terms with his wife’s suicide and Jeanne seeking to assert her own sexual agency. The relationship, built on unspoken rules, explores the dark, primal corners of human connection, ultimately leading to tragic consequences. The film also delves into themes of power, domination, and submission, questioning traditional notions of romance and relationships.

Performances

Marlon Brando’s performance as Paul is intense and deeply personal, often blending his own emotional turmoil with that of the character. His portrayal of grief, rage, and confusion is raw, with moments of improvisation that blur the line between actor and character. His scenes of vulnerability, particularly when mourning his wife, are hauntingly powerful and bring a level of emotional depth that defined the film. Maria Schneider, as Jeanne, delivers a brave and understated performance. She captures the innocence and defiance of her character, though the film’s production process and her treatment on set have since sparked debates about ethics in filmmaking. Both performances were deeply emotional and controversial, contributing to the film's reputation as a bold yet troubling piece of cinema.

Legacy and Impact

Last Tango in Paris became notorious for its explicit sexual content and provocative themes, sparking intense debates about censorship and the boundaries of art in film. Its legacy is complicated by the ethical controversies surrounding Maria Schneider's experience on set, particularly regarding the infamous butter scene, which she claimed she wasn’t fully informed about. Despite this, the film left a lasting impact on the cinematic world for its daring approach to human sexuality and the psychological complexities within relationships. It pushed the envelope for adult-themed narratives, influencing how filmmakers could portray sex and intimacy on screen in a raw, unflinching manner. The film remains a subject of study for its thematic boldness, even as its legacy is questioned in the light of ethical filmmaking standards. It’s a cultural landmark that continues to provoke discussions about consent, art, and exploitation in cinema.

• Director: Bernardo Bertolucci
• Screenwriter: Bernardo Bertolucci, Franco Arcalli
• Cast:
  • Marlon Brando
  • Maria Schneider
  • Jean-Pierre Léaud